Search results for " timbre"
showing 6 items of 6 documents
Classes of Colors and Timbres: A Clustering Approach
2022
Similarities between different sensory dimensions can be addressed considering common “movements” as causes, and emotional responses as effects. An imaginary movement toward the “dark” produces “dark sounds” and “dark colors,” or, toward the “bright,” “brighter colors” and “brighter sounds.” Following this line of research, we draw upon the confluence of mathematics and cognition, extending to colors and timbres the gestural similarity conjecture, a development of the mathematical theory of musical gestures. Visual “gestures” are seen here as paths in the space of colors, compared with paths in the space of orchestral timbres. We present an approach based on clustering algorithm to evaluate…
Emotional Connotations of Musical Instrument Timbre in Comparison With Emotional Speech Prosody: Evidence From Acoustics and Event-Related Potentials
2018
Music and speech both communicate emotional meanings in addition to their domain-specific contents. But it is not clear whether and how the two kinds of emotional meanings are linked. The present study is focused on exploring the emotional connotations of musical timbre of isolated instrument sounds through the perspective of emotional speech prosody. The stimuli were isolated instrument sounds and emotional speech prosody categorized by listeners into anger, happiness and sadness, respectively. We first analyzed the timbral features of the stimuli, which showed that relations between the three emotions were relatively consistent in those features for speech and music. The results further e…
Testing a spectral-based feature set for audio genre classification
2011
Automatic musical genre classification is an important information retrieval task since it can be applied for practical purposes such as the organization of data collections in the digital music industry. However, this task remains an open question because the current state of the art shows far from satisfactory outcomes in terms of classification performance. Moreover, the most common algorithms that are used for this task are not designed for modelling music perception. This study suggests a framework for testing different musical features for use in music genre classification and evaluates the performance of this task based on two musical descriptors. The focus of this study is on automa…
In search of perceptual and acoustical correlates of polyphonic timbre
2009
Polyphonic timbre refers to the overall timbre mixture of a music signal, or in simple words, the 'global sound' of any piece of music. It has been proven to be an important element for computational categorization according to genre, style, mood, and emotions, but its perceptual constituents have been less investigated. The aim of the study is to determine the most salient features of polyphonic timbre perception by investigating the descriptive auditory qualities of music and mapping acoustic features to these descriptors. Descriptors of monophonic timbre taken from previous literature were used as a starting point. Based on three pilot studies, eight scales were chosen for the actual exp…
Effect of Enculturation on the Semantic and Acoustic Correlates of Polyphonic Timbre
2011
polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher number of perceptual dimensions in the timbre space for music from one's own culture. Factor analyses of Indian and Western participants' ratings resulted in highly similar factor solutions. The acoustic features that predicted the perceptual dimensions were similar across the two participant groups. Furthermore, both the perceptual dimensions and their acoustic correlates matched closely with the results of a previous study perfor…